Was Shan’ann a *genuine* person?

She looks attractive here, even sexy. She’s showing more cleavage than usual and what’s more, she’s aware that she is. She’s flaunting herself.  And as she starts off, there’s a smoldering quality about what she’s saying. As she tucks in her recently coiffed hair, the tone of her voice initially feels like this is going to be quite a deep session. The subject is:

“What if…”

https://youtu.be/hNdkY6dh4tk

But it’s: “What if you tried Thrive?”

And: “I didn’t believe in…feeling better.”

And: “I’ve never had something change everything…about how I looked at things…how I felt…um…getting up [early in the morning].”

We all feel terribly for Shan’ann and her children. But the more we get to know her, the more we’re discomforted by her absence in many of these videos. She’s there alright, but she’s also not there. She’s selling. She’s become a drone for a MLM company and the real Shan’ann is missing.

It makes one wonder what she’s like as a person. Is she a genuine person. Is she nice to live with? Or is she annoying, her own worst enemy?

https://youtu.be/1M44hQ2Xls8?t=24m20s

She’s clearly very attached to Thrive, happy to attach herself hook, line and sinker to it. It’s Thrive that makes her happy, just as Chris is the best husband she could ever wish for.

We’ve criticized Chris Watts for his lack of credibility, but should we believe everything she says? And if we don’t, where does that leave us?

https://youtu.be/2wbPVnSqbRU?t=3m1s

An example of “He Has No Game”

In this clip Shan’ann abruptly leaves the kitchen, leaving Chris Watts stuck for a few seconds in the front of camera. He clearly doesn’t want to be there. Notice also how he refers to Shan’ann only as his “wife”, and when she returns, he’ s sort of unceremoniously bumped out of picture.

There’s virtually no interaction here between husband and wife, is there.

https://youtu.be/MOvkUwij_0M?t=44s

Shan’ann, in contrast to Chris Watts, is a on-the-ball, but she’s so on-the-ball she has her husband dressed up in the Thrive uniform and reduced to a prop. If you don’t want to be prop, and you keep being foisted into these mini-productions, that’s got to cause resentment – both ways.

Analysis of the blinds of Chris Watts’ Home

A window into the Watts home – that’s what we’re looking for. A way of seeing inside, seeing what happened to this picture-perfect family. A window is what teams of lawyers, armies of reporters, legions of trial watchers and a handful of true crime writers are desperately trying to find. A way of looking in, penetrating through the lies and absent evidence, to see the truth.

The autopsy report provides one way to see back in time. It’s a sort of biological window. Forensics and fingerprints sketch additional aspects of the scene. But what about the ACTUAL windows of the Watts home?

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As part of ongoing targeted research into this case, I’ve made a detailed study of the house, the house plans and the neighborhood. I wanted to see what the neighbors could see looking in, but also which windows in the Watts home made certain areas of the home less private than others. In effect, I was trying to fathom where in the house the three murders were executed.

In other true crime narratives, I’ve found this technique, this process of orientation within the civic design of the suburb, vital. My deepest insights into the difficult Zahau case came largely from understanding precisely how the prominent Spreckels Mansion fitted into Coronado’s Ocean Boulevard. My work into that case suggested Rebecca Zahau could easily have been seen from her position on the balcony she was supposed have committed suicide from. That may not seem to be a big deal, except she was naked when she was supposedly killed herself.  But if she was murdered, her murderer could have been seen too. 

Much of my analysis into the Zahau case was based on the idea of a murderer who was using the balcony to stage a suicide, but didn’t want to be seen doing so…and did the crime scene bear this theory out?

I’ve approached the Watts crime scene in much the same way. If the murders were committed inside by two different people, were they all committed at night? Were they all committed upstairs, downstairs,  in the same room or in different rooms? Were the lights on or off? Were the windows and blinds open or closed? Were any crimes committed in the basement? Did anything happen in the basement?

The Scott Peterson case also involves blinds that were opened on December 23rd by Margarita Lava, the Peterson’s maid, and yet remained closed throughout Christmas Eve and Christmas Day. Not just the blinds facing the road, ALL the windows were covered.

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Now, back to the Watts home.

What do we know for certain?

We know that the windows looking into the garage allowed Nickole Atkinson to confirm that Shan’ann’s car was there, and that the kids seats were in it too. This aspect alone may be the reason Chris Watts was confronted and caught as soon as he was. Had there been no windows into the garage, Nickole couldn’t have known anything was amiss, and critical time would have gone by in which more critical items of evidence could have been removed.

Interestingly, once the garage became part of the crime scene, the small square windows were covered up against prying media, revealing just how “transparent” the Watts home could be to prying eyes.

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Looking closer, there are so many windows in the Watts house it’s almost a house of glass. This is the back view.

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A view from the side with the Watts house on the right.

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Notice the basement window below. Chris Watts’ man cave [as it’s marketed in the realty brochures] appears to be a kid’s cave, at least from the outside. Notice the Mickey Mouse window covering.

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If the murders were premeditated, and if Chris Watts committed all of them, then he’d need to be very careful about windows wouldn’t he?

The subdivision is filled with other double story houses with excellent line of sight, and the houses alongside the Watts home are also RIGHT alongside.

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An aspect that stood out from a cursory run through of the house was firstly how many windows had the blinds drawn, and secondly, the fact that three windows on the top floor facing the road that weren’t closed.

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I also examined the blind issues by looking at other images of the house, before it became a crime scene. What were the Watts’ in the habit of doing regarding the blinds?

In Shan’ann’s long monologue LIVE video on a Saturday morning in May, the blinds above the couch and behind her are down.

When Chris was mowing the lawn in May, the blinds look similar to every other picture, don’t they? Also, in a tightly backed subdivision, wouldn’t most people have the blinds drawn not so they can commit murder in private, but just  – ordinarily?

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When Shan’ann told her children she had a baby in her belly, the blinds are drawn there too.

If all the blinds were always drawn, but the three windows on the upper floor were open, what if they’d been left open intentionally, so that neighbors could see Bella and Celeste moving inside. So that, until the last minute, Chris could show that they were still alive. It was potentially another version of taking them to a birthday party on Sunday. It gave Chris Watts plausible deniability.

It also suggested, if this line of inquiry was correct, that the one room where the children weren’t murdered was the upstairs room with the blinds open.

Neat theory, right?

The problem was those upstairs windows aren’t part of children’s bedrooms, or in fact ANY room. They’re lighting above the lounge. I wasn’t able to find clear pictures in the Watts home confirming these windows, but Shan’ann’s video in the lounge suggests a high ceiling like the one below.

This similar model home provides an idea where the three “upstairs” windows fit into the house as seen from the inside. We can also see why these blinds might be left open most of the time.

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I also checked the moon stats for August 12th and 13th. I wondered whether, when Nickole dropped Shan’ann off, whether the lights inside the house were on. A bright Colorado moon might explain how many lights needed to be on, if moonlight was spooling through three open, upper windows.

Nickole will probably shed light [pun intended] on this question in due course. But for the time being, I wondered whether – if the lights inside were off – how the light of the new moon would shine through those three upper windows, and perhaps allow Shan’ann to go inside without turning lights on [and waking her family]. It also addressed whether Chris could be using moonlight through the top windows to illuminate his “kill scene”.

But that theory didn’t go anywhere either. The bright new moon set at around 21:00 on August 12th.

What the research does show, and I’ve taken this research a lot further in TWO FACE II, is where in the house the crime scene probably took place that assured some privacy. Privacy not only in terms of line of sight, but line of sound.

Strangling crimes can involve muffled sounds, and if the murderer isn’t careful, and hasn’t taken precautions, muffled screams that might be audible to nearby neighbors.

TWO FACE BENEATH THE OIL will be available soon.

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Just a day in the life of Shan’ann Watts

It’s hard to say why Shan’ann’s portrait of herself, selling products from her kitchen, is so disturbing. With around three minutes remaining in the Live video, Josh Rosenberg, not unexpectedly as it turns out, breaks into the video.

Josh appears to be shopping, and tells Shan’ann he’s “lost his wife”. Shan’ann smiles and is at a loss for words for a few seconds. Then she seems to address someone else, Abbey Lund who’s just asked if the product can be used while pregnant.

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Shan’ann tells Abbey: “I’ll message you.” And then tells Josh: “I’m eating a Pro-bar – on live…”

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Shan’ann and Josh make small talk, but it’s not really small talk. It’s just two Thrive promotors chewing the fat about this product and that, flavors and favorites.

At one point there’s a genuine moment where Josh mentions getting up early and going to the hospital. The point is barely acknowledged as Shan’ann reaches for another box of product, and holds it to the camera. Cassandra Rosenberg, Josh’s wife can be seen moving in the background of the store. In the comments beside the broadcast, it appears she [also a Thrive promoter] has told Shan’ann she can’t go Live with her, ask Josh.

While he’s on Shan’ann holds up a box, tells him how excited she is, and how amazing these Pro-bars are “you have to have one”. The cinnamon roll is amazining…”

Josh answers: “I can’t wait for the lemon meringue or the cookies and cream…”

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There’s just something anemic about the whole thing, isn’t there? Friends turning themselves and each other into online shopping  malls. Shan’ann turning her kitchen into a venue for selling product, while Deeter scampers quietly in the background.

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There’s a tragic emptiness in it somehow. The lights are on but nobody’s home. Although it’s hard to put one’s finger on it, in the same series of comments alongside the video, there’s this from Kallie Turner, posted two weeks ago today.

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Kallie writes: “I wish you were still here [still alive] so I could claim a sample [of Thrive product] from you….”

Josh Rosenberg is also the guy who, on August 18th, five days after her murder, told the Thrive cult not to assume anything or speculate online.

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That may seem completely reasonable, except what they’re doing online seemingly all day, everyday is “speculating” online. Speculating in the sense of engaging in business and trying to draw in consumers. But in matters of life and death, there should be no assumptions, no speculation, no afterthought, just an ongoing empty and cautious silence peppered with more product placements by the Thrivin’ survivors…

Chris Watts’ “photographic memory” provides a unique window into his mind, and his psychology

There’s something very unusual about Chris Watts. He has what a former teacher has described as “a photographic memory”. What criminal psychology teaches is not to look at the thing itself, but at the things surrounding it. So although we ought to understand and make sure whether the terminology is accurate, what we can say broadly is that photographic memory is often associated with introversion, and social dysfunction.

Think Sheldon Cooper. Smart, but badly out of whack in ordinary social settings, and even worse at engaging with the opposite sex.

https://youtu.be/KSIg9m1rn9w

The “photographic memory” [also known as eidetic memory] tends to involve shared traits, including lefthandedness. Was Chris Watts left-handed?

More interesting in terms of this case is the psychological connection between “photographic memory” and the inverted personality. It may explain why Shan’ann said Chris Watts “has no game”. If it was a real problem, it may have irritated Shan’ann and she may have felt her husband was weak, when it was more a question of wiring than his attitude to her or to her marriage.

Watts arraignment hearing

GREELEY, CO – AUGUST 21: Christopher Watts is in court for his arraignment hearing at the Weld County Courthouse on August 21, 2018 in Roggen, Colorado. Watts faces nine charges, including several counts of first-degree murder of his wife and his two young daughters. (Photo by RJ Sangosti/The Denver Post)

TWO FACE is available exclusively on Amazon.com

Chris Watts: Voted most likely to succeed in the Class of 2003

“This was one of the smartest students I ever had. The guy had a photographic memory. His biggest passion outside of automotive was NASCAR. He knew chapter and verse, everything you could ask about NASCAR. Anything. In fact, I told him before he graduated, I said, ‘Chris, if I ever had a student who was going to be tremendously successful, it’s you.’ He wanted to work his way up and be on a NASCAR team. Probably a crew chief.”

Those who know Watts described him as a remarkably intelligent youth. In 2003, he and another senior at Pine Forest placed third at the N.C. Automobile Dealers Association competition in Winston-Salem, receiving a certificate and a $1,000 scholarship to Universal Technical Institute and NASCAR Technical Institute in Mooresville.

A remarkably intelligent mechanic?

A genius multiple murderer who was caught and arrested within hours of committing his perfect murder?

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Now that’s a glowing endorsement. Of course everything is relative. “Smartest” student? Compared to whom?

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PICK OF THE CROP: Chris Watts’ sophomore picture. That’s him in the middle row, two thumbs right of the central black line.

Joe Duty remembered his former student as extremely introverted and quiet. Watts would sit in class and hardly say a word, Duty said. Others who remember Watts from high school described him as a boy that every girl had a crush on, but shy and awkward.

Most of the above info is sourced at this link. The more we find out about Chris Watts, the more he seems to fade from view.

Which makes one wonder [hit play below]…

 

The #1 Clue That Proves Premeditation?

Since the trial is still pending, it requires the title to have a question mark rather than an exclamation mark.  There appears to be plenty of debate springing up now around whether Shan’ann could have committed a crime, but no matter who committed what, it seems the general consensus is that the crime happened spontaneously.

They had an argument – that night or early morning – because Chris Watts said they did.

There are many, many obvious reasons why this isn’t a signature case for a crime of passion  which is an act committed impulsively during an explosive venting of rage.  It happens when the perpetrator feels themselves pushed over an emotional cliff. Chris Watts classifies this crime as precisely that – that he killed Shan’ann in a rage as a reaction to her despicable crimes. That’s his excuse.

But is it true?

Well, this is what that passion looks, sounds and feels like.

So what’s the #1 clue that appears to show premeditation?

It’s Chris Watts’ stoicism on the morning of August 14. We now know that Shan’ann, Bella and Celeste were dead by then, but also that Chris Watts knew that then too. He didn’t look particularly bothered, in fact showed no signs of distress, grief or remorse. Part of his act was that he was innocently unmoved, even chuckling at times.

The defense will argue that all people process their grief differently. But actually that’s not true. When grief is genuine it can’t be held back. It creeps on you in its raw, unfiltered form and overwhelms you. When grief is absent, well, it’s difficult to fake and decent lie detectors and true crime buffs pick up on that immediately.

That’s why Chris Watts’ interview scorched the internet, and why this case remains so top of mind. People are still asking themselves:

Where’s the grief? Where’s the humanity? How can someone lie like that, to the whole world [and perhaps to themselves?]

Crimes of passion happen on impulse. The wave comes and just as quickly goes. When the perpetrator recovers himself, he’s quickly remorseful, regretful, reproachful and even apologetic.

When there’s premeditation there’s a much deeper sense of “plans have gone awry”. When there’s premeditation much more is happening in the head than in the heart, but that’s not to say the heart didn’t play a huge role in getting the ball rolling. And after the crime, the heart of a premeditator is still pulling the strings in his head, but from a distance and behind the scenes. Something in his heart is why he’s still continuing to kick the can down the road even though the game is up.

In his television interview is there a sense, perhaps, of disappointment following a momentary sense of triumphant, excitement and freedom?

What we fail to see in premeditated cases is that the murderer is turned on by the fantasy of getting rid of someone who they see as milestones around their necks. Casey Anthony’s partying during the first four weeks of Caylee’s death/disappearance is a classic example in true crime of the unadulterated joy in breaking free of one’s lot in life.

When it’s been a long, long time coming and he’s finally doing it,  strangling the life out of someone he despises, there’s satisfaction and relief in the deed. It’s not a question that he’s reluctant to commit murder, but irresistibly drawn to the idea, like a moth to flame.

The more interesting, sinister and terrifying question is the same one that haunts the Scott Peterson case:

When did he start day-dreaming about murdering his family, and what moment, what snide remark triggered the first impulsive homicidal thought? 

COULD Shan’ann have killed her children? What do the stats say?

The question of whether Shan’ann COULD have killed her own children will be at the center of the defense case in the Chris Watts trial. Whatever the merits of this case, and in spite of what appears likely, in court a case is only as strong as what can be proven in court.

As much as we’d like to believe a parent killing their child [born or unborn] is monstrous and complete anathema to society, the reality is it’s not only common, it’s an every day occurrence around the world.

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About two decades ago, the stats from a UN census showed that in a single year approximately 90 million fetuses or small infants were aborted/murdered throughout Asia. This number isn’t pertinently about mother’s killing their offspring per se, but rather the pre-selection of female first-born children for killing.  The abortion-of-girls-scourge is so serious in South Korea, women have to be actively recruited to immigrate to the country because of the mismatch between male and female adults in that country.

What this proves is that cultural incentives [in this case in favor of male first borns] can completely dominate the psychology of adults in terms of their offspring. How the family appears is thus mercilessly enforced within certain cultural and/or socioecomomic constructs.

Child Murder by Mothers: Patterns and Prevention is a peer reviewed [if somewhat dated] research paper published in the US National Library of Medicine. This study pertinently focuses on the mother’s role in the murder of infants. The research paper’s conclusions read as follows:

A mother’s motive for filicide may be altruistic, acutely psychotic, or due to fatal maltreatment, unwanted child, or spouse revenge. In addition, many mothers who do not attempt filicide experience thoughts of harming their child. Maternal filicide motives provide a framework for approaching filicide prevention. Suicidality, psychosis and depression elevate risk, as does a history of child abuse. Mentally ill filicidal mothers have very different risk profiles than mothers who fatally batter their children. Prevention is difficult, because many risk factors, such as maternal depression and social disadvantage, are common among non-filicidal mothers.

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In Wikipedia’s introduction to the concept, the final sentences reads, troublingly:

In many past societies, certain forms of infanticide were considered permissible…

But further exploration on the topic reveals all-too-common economic and practical imperatives, both in humans and the animal kingdom. In many societies, including progressive Japan, having twins was considered bad luck, or a taboo, and one or both children were often killed to restore the fates.

Marvin Harris estimated that among Paleolithic hunters 23–50% of newborn children were killed. He argued that the goal was to preserve the 0.001% population growth of that time…A frequent method of infanticide in ancient Europe and Asia was simply to abandon the infant, leaving it to die by exposure (i.e. hypothermia, hunger, thirst, or animal attack).

In at least one island in Oceania, infanticide was carried out until the 20th century by suffocating the infant,while in pre-Columbian Mesoamerica and in the Inca Empire it was carried out by sacrifice…In Kamchatka, babies were killed and thrown to the dogs. American explorer George Kennan noted that among the Koryaks, a Mongoloid people of north-eastern Siberia, infanticide was still common in the nineteenth century. One of a pair of twins was always sacrificed.

According to studies carried out by Kyoto University in non-human primates, including certain types of gorillas and chimpanzees, several conditions favor the tendency to infanticide in some species (to be performed only by males), among them are…the absence of nest construction…

In Eskimo societies, children born in winter were killed by smashing their heads with a rock, or a block of ice, stuffing grass into the baby’s mouth or tossing them into the sea. Research differs, but infanticide among the Inuit was believed to reach as high as 80% amongst some groups.

We can see that though the idea is taboo in Western society, the practice remains fairly common in some present societies too, including those referred to above.

There is a world of difference between killing an infant in a bad season, so to speak, and the wiping out of an entire family – unborn Niko, Celeste, Bella and the children’s mother Shan’ann. No matter how common the killing of a single child is, the annihilation of a family by the head of the household [as is being alleged here] is exceedingly exceedingly rare.

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In terms of the particulars of the Watts case, we must also draw a distinction here between infanticide and filicide. I’m not sure that infanticide is the correct definition to use in the Watts case, from the defense case perspective. This is because, strictly speaking, the ages of Bella [4]  and Celeste [3] place them outside the strict definition. An infant is up to 1 year of age. But the statistics around filicide are nevertheless similar to those of infanticide, until a particular inflection point.

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First the definition:

Filicide is the deliberate act of a parent killing their own child. The word filicide derives from the Latin words filius meaning “son” or filia meaning daughter, and the suffix -cide meaning to kill, murder, or cause death.

“Filicide” may refer both to the parent who killed his or her child, as well as to the criminal act that the parent committed.

Now the inflection point. At what age do the statistics show fathers to be the more likely killers of their children?

A 1999 United States Department of Justice study concluded that between 1976 and 1997 in the United States, mothers were responsible for a higher share of children killed during infancy, while fathers were more likely to have been responsible for the murders of children aged eight or older.

Furthermore, 52% of the children killed by their mothers (maternal filicide) were male, while 57% of the children killed by their fathers (paternal filicide) were male. Parents were responsible for 61% of child murders under the age of five. Sometimes, there is a combination of murder and suicide in filicide cases. On average, according to FBI statistics, 450 children are murdered by their parents each year in the United States.

Strangely, in America the trend is the reverse to that in Asia. Male children are slightly more likely to be killed by their mothers, and almost two thirds more likely to be killed by their fathers. Although the data is fairly stale, the preliminary evidence from a purely statistical approach is that fathers are significantly less likely to kill their own children than their mothers, especially when they’re female.

Just as in infanticide, spousal revenge is also a potential factor in filicide. Whether these numbers or trends are fielded in court by Chris Watts’ defense team or not, what remains clear is that the reverse is also true. If the case is made that one parent killed their children out of spousal revenge, the possibility exists that the other parent could just as easily be culpable of the same accusation. What really has to be shown is which spouse had the bigger bone to pick with the other, and ultimately, if it was revenge, revenge for what? 

 

Coming Soon: A Follow-Up Book to TWO FACE

Due to popular demand, but also due to a few people coming forward with challenging notions such as “it’s too early for conjecture”, a follow up book to the first TWO FACE is already in the works.

For those who don’t know SHAKEDOWN, we’re all about conjecture, about painstaking thinking, about analysis, about working with the evidence beyond the media and court narrative, beyond every other narrative.

SHAKEDOWN’s research has been used in true crime movies by major networks such as A&E, and even posts on this site have been published almost verbatim in news media, such as a recent article a few weeks ago in the Sunday Tribune.

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It may seem as if all that can possibly be said about the Chris Watts case, at this stage, has been said or written, especially on this blog. Far from it. We haven’t even begun to test legal merits, or scratch the surface of the cast of characters associated with this case, particularly Chris Watts himself. We’re still getting to know the crime scenes and legal teams.

Although it may seem as if all the available material out there goes onto Shakedown [and especially this page], in reality it’s simply the low hanging fruit. TWO FACE BENEATH THE OIL contains some shocking revelations that no one knows about, and that have not yet been released on this site or anywhere else.

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For those who are regular consumers at this site, as from next week the daily coverage of the Chris Watts case won’t stop, but it will slow down as I focus on nailing down the second narrative.

Those who haven’t read TWO FACE yet are encouraged to do so, because the second book is built on the first. Those who have read the first book in the K9 series are encouraged to review it if you haven’t already done so.

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Those living in Frederick with firsthand knowledge of any of the individuals or companies or sites mentioned in this case are encouraged to contact me directly, on or off the record, anonymously at this email.

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Henri van Breda’s axe at the DeZalze crime scene – what’s wrong with this picture?

Okay armchair detectives – here’s a chance to prove your worth. In the clip below is an instrumental and obvious clue that should pop up out of the crime scene and wave a giant red flag. There’s something about this clue that’s an immediate sign that the suspect on scene might not be all that he appears.

Watch the clip and see if you can figure it out. Watch it a few times.

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#VanBreda #bylmoorde

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Figured it out?

If not, here’s a last chance. It’s this frame right here. Notice anything wrong about it?

C’mon, let’s see those true crime muscles flexing…

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#VanBreda

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What it is is the fact that there’s no blood around the axe. Not around the handle, and not around the axe head. You might argue that actually there is a little smudge of blood under the blade, or a smear near the bottom part of the handle. If so, you’re missing the point.

Consider a scenario where the axe is used [as it was] to bludgeon to death 4 people one by one. By the time Henri was done, not only the axe, but Henri himself would be dripping – showered – in the warm blood of his victims. The wooden handle and metal blade would have been doused several times with brain matter, cerebral fluid and blood, and right at the end, blood gushing out of Marli’s neck.

When Henri dropped the axe, it should have left a thick trail of blood drops behind and around it. The axe itself should be covered in scarlet blood, almost as if its been painted from end to end.

Instead, the axe looks fairly innocent here. In fact, it may take a while to figure out [or even prove] that the axe was the murder weapon. That’s the problem with this picture. Someone has wiped it clean to minimise what it did, and what was on it. On the whole staircase, Henri seems to have found one of the few spots where there is no blood.

You could argue that Henri’s version about the axe being thrown and embedding in the wall caused the blood on it to miraculously float off. If it was flung, then there would be a big red blood spatter splodge where it impacts the wall, and there’d still be big drops of blood surrounding the still wet axe, but there isn’t.

Indefensible is available on Amazon at this link.